This is how you begin to recover.
I might make plans to see a movie with this man, or go to a
bookstore, but instead, we walk around a lake at sunset, and he might have no
idea, but I might be tormenting myself with my decision to say yes, because
we’ve spent considerable time together, and touches become more familiar, and
time becomes lazy as talk begins to turn to deeper subjects. I might be so
nervous, so very near tears, because I know the panic is coming. I might be dreading the things we might
discuss, or the questions he might ask. He might tell me about his life, and
ask me about mine – family, relationships, history. I might squirm on a stone bench, because
it’s inevitable that some of his questions won’t have easy answers. What
kinds of things did your family do together when you were little? Are you
closer to your mother or your father? What’s your earliest memory? And I
might be torn in those moments because I don't expect that he would be so
unguarded at going right for the deep questions; I love it, until I realize
that, for him - maybe for most? - these aren’t deep questions, and I begin to panic a little at
how I might answer them, because, for me, they are some of the deepest questions in life, because the answers only lead to more questions.
Or the panic might swell as he might loop his pinky through
mine as we rise from the stone bench and wander together. The wind might blow my hair back just as he looks at
me, and I feel exposed to what he sees, and I might think please don’t look
closely at me. He might place his hand at the small of my back as I step
over a curb, or he might step into my space, might pick something imaginary off
my shoulder as we stand under a tree as my brain outruns me and tries to
anticipate his every advance, as a prisoner of war might. Or he
might brush a thumb across my cheek as I fight the instinct to flinch, as my
neck tightens and my eyes flicker downward to the grass almost against my will.
Or he might lean in and brush his nose upward against mine, brown eyes wide
open, smiling lightly as my brain screams please don’t see me, you have no idea what's happened, or what kind of girlfriend I've been, or what kind I might be with you, we have no idea together, and all I want
to do is run away from this sweet man and never look back at what I might
leave in his eyes.
I might feel powerless against all this sabotage; I might
feel despair. I might find myself suddenly weary of the solitude that brought safety for so long. Without thinking, I might lean my face forward against his in
sheer frustration. We might stand there for a moment.
And he might breathe, almost as a gentle admonition: Lisa. It’s
okay.
I might feel everything stop for an instant, as the words brush across my ear, as his cheek is rough and warm against mine; as, in that moment, he is near to the brokenhearted.
He's right.
He's right.
And suddenly: I might begin to laugh. Hard.
He might pull back and smile quizzically, and I might reach
up to place a reassuring hand at his shoulder while I turn to face the water
and feel the angst melt away as I laugh, as tears threaten to flow while I laugh uproariously at a purple sky. Because I think I’m not sure how, but somehow, finally,
I may have reached That Point I’d Always Hoped For, or A Point Of No Return.
I think: No more.
No more panic. No more history in present – neither ancient
nor modern history. No more fear of pain or failure, or abandonment, or
inadequacy, or rejection. No more sabotage. No more anguish. Look where I am,
and with whom: I am nowhere but exactly here, standing in this grass, on this
day, on holy ground, under this sun filtering through these gauzy clouds, with this man,
because I want to be here. Remember? These are good days. Remember? These days are mine - fully, inherently, hard-fought and earned mine. And I will have them, for me, and mine.
I might turn back to his face, which might be open, and a
little uncertain. I might press a hand to the back of his neck and catch him
off-guard before I can overthink, and we might be overcome in the liquid, tumbling drama of kissing, I
with a sweet man under a tree by the water with my eyes wide open, taking in
the renewal of knowing that we are extraordinary, that our present can reframe
history’s place in the now.
I might break the kiss and see him smile the way he does, as though he's surprised and waiting.
And I might laugh a little more, and slip off my shoes, take his hand, steer him lazily toward the stone bench, and say, “Well, lemme tell ya.”
And that’s how you begin to recover.





